Londres
Ethel Barrymore Theatre
Broadway - Etats-Unis
Construction: 1928
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (1096) 1928 - Actif
Accès
En métro:
En bus:
Adresse: 243 W. 47th St., New York, NY
Evolution
Bâtiment:
Nom:
Propriétaire(s)
Shubert Organization
Remarquable
1096
1928 - Actif
Musical
Original
1) Band's Visit (The) (Original)
Joué durant actuellement
Nb de preview: 36 previews
Première preview: sam. 07 octobre 2017
Première: jeu. 09 novembre 2017
Dernière: Open end
Compositeur: David Yazbek •
Parolier: David Yazbek •
Libettiste: Itamar Moses •
Metteur en scène: David Cromer •
Chorégraphe: Patrick McCollum •
Avec: Katrina Lenk (as Dina), Sasson Gabay (as Tewfiq), Ari'el Stachel (as Haled), Brandon Uranowitz (as Itzik), George Abud (as Camal), Etai Benson (as Papi), Adam Kantor (as Telephone Guy), Andrew Polk (as Avrum), Bill Army (as Zelger), Rachel Prather (as Julia), Jonathan Raviv (as Sammy), Sharone Sayegh (as Anna), Kristen Sieh (as Iris), and Joseph Kamal (as Simon)
Commentaire: Following a successful run at off-Broadway's Atlantic Theater Company in fall 2016, David Yazbek and Itamar Moses' musical adaptation of the 2007 israeli film "The Band's Visit" arrived on Broadway with its original stars Katrina Lenk and Golden Globe and three-time Emmy Award winner Tony Shalhoub.
Perhpas the most hyped Broadway opening of fall 2017, The Band's Visit is simply unlike anything else on the Great White Way. As the musical begins, a projection tells us that “Once not long ago a group of musicians came to Israel from Egypt.” A second projection then reads: “You probably didn’t hear about it. It wasn’t very important.” And with that, we are gently lulled into 90 minutes of a story where, as those self-deprecating words predict, nothing truly important happens... And yet, everything that could happen in a group of characters' lives, does happen.
The Band's Visit is about a meeting of two groups of strangers, brought together by a simple mishap. Instead of ending up in the bustling city of Petah Tikva in Israel, an Egyptian police band accidentally end up in the small, isolated town of the similarly-pronounced Bet Hatikva and are taken in by the locals for one night. Although the setting is the catalyst for David Yazbek's beautiful, Middle Eastern-infused score, you could pick this story up and place it in any isolated town or village anywhere in the world. It is this universal aspect to the story that audiences are connecting with. A small, "unimportant" story is speaking volumes about humanity and how we can form bonds with those we usually wouldn't encounter in our regular lives. How do we overcome our loneliness? How do we re-connect with our estranged loved ones?
The cast is filled with talented actor/musicians who are often omnipresent on stage, blurring the lines between musical numbers and scene changes, creating quite the non-traditional musical in the process. The captivating leading duo of Dina, a café owner in the town, and Tewfiq, the band's conductor, are worlds apart in their manners and sensibilities and yet set a story in motion that has us crying out for a sequel.
The Band's Visit is the runaway hit of the 2017-2018 Broadway season. But unlike the short, overnight stay depicted in the musical, this band has visited the Barrymore Theatre and they are here to stay. (plus)
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Théâtre
Revival
16) Six degrees of Separation (Revival)
Joué durant 2 mois 3 semaines
Première preview: 05 April 2017
Première: 25 April 2017
Dernière: 16 July 2017
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Trip Cullman •
Chorégraphe:
Avec: Allison Janney (Ouisa), John Benjamin Hickey (Flan), Corey Hawkins (Paul), Jim Bracchitta (Policeman), Tony Carlin (The Doorman), Michael Countryman (Larkin), James Cusati-Moyer (The Hustler), Ned Eisenberg (Dr. Fine), Lisa Emery (Kitty), Keenan Jolliff (Woody), Peter Mark Kendall (Rick), Cody Kostro (Doug), Sarah Mezzanotte (Elizabeth), Colby Minifie (Tess), Paul O’Brien (The Detective), Chris Perfetti (Trent), Ned Riseley (Ben), Michael Siberry (Geoffrey)
Commentaire: Tony-winning drama Six Degrees of Separation is revived on Broadway in 2017, with acting royalty Allison Janney and John Benjamin Hickey leading the cast. Inspired by the true story of con man David Hampton, Six Degrees begins with a young man turning up on the doorstep of a wealthy Manhattan couple, bleeding from a knife wound and claiming to be the son of Sidney Poitier. Endlessly charismatic, he insinuates himself into their lives, and brings on something of a spiritual awakening in the couple, before events take an unexpected turn. (plus)
Presse: "That dangerous young man who calls himself Paul Poitier has grown up in the 27 years since he first set foot on a New York stage. All right, perhaps not “grown up,” since we’re still talking about a narcissistic con artist of adolescent fecklessness and zero self-knowledge. But there’s no doubt that he has grown in stature and, in a paradoxical way, truthfulness. This is because Paul Poitier (not his real name) has been embodied with tremulous, searching sensitivity by the screen actor Corey Hawkins in the earthbound revival of John Guare’s marvelous “Six Degrees of Separation.”" Ben Brantley for New York Times
"Broadway’s crazy good revival of “Six Degrees of Separation” is proof of theater’s enduring impact... Director Trip Cullman’s energizing revival delivers its own thrills — and one tiny nit to pick. It’s time for a moratorium on actors jumping on furniture to make a point. Besides Tom Cruise, no one does that. It feels like a con in an otherwise exhilarating, real-deal staging." Joe Dziemianowicz for New York Daily News
"Trip Cullman directs with great panache on an evocatively shadowy, morphing set by Mark Wendland. The cumulative effect, once you get over the retro vibe, is renewed respect for a disquieting, still-rewarding work." David Cote for Time Out New York
"Trip Cullman's razor-sharp staging of Six Degrees of Separation serves as a welcome reminder of the fiercely intelligent, pungently funny voice of playwright John Guare at his vintage best." David Rooney for Hollywood Reporter
"Despite the vitalizing presence of Allison Janney in director Trip Cullman’s elegant revival, “Six Degrees of Separation” lacks the comic bite of the original production." Marilyn Stasio for Variety
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Théâtre
Revival
15) Present (The) (Revival)
Joué durant 2 mois 1 semaine
Première preview: 17 December 2016
Première: 08 January 2017
Dernière: 19 March 2017
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: John Crowley •
Chorégraphe:
Avec: Cate Blanchett (Anna), Richard Roxburgh (Mikhail), Anna Bamford (Maria), Andrew Buchanan (Osip), David Downer (Yegor), Eamon Farren (Kirrill), Martin Jacobs (Alexei), Brandon McClelland (Dimitri), Jacqueline McKenzie (Sophia), Marshall Napier (Ivan), Susan Prior (Sasha), Chris Ryan (Sergei), Toby Schmitz (Nikolai)
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Théâtre
Original Broadway
14) Curious Incident of the Dog in the Night-Time (The) (Original Broadway)
Joué durant 1 an 11 mois
Nb de preview: 23 previews
Nb de représentations: 799 représentations
Première preview: 10 September 2014
Première: 05 October 2014
Dernière: 04 September 2016
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Marianne Elliott •
Chorégraphe:
Avec: Tyler Lea (Christopher Boone), Rosie Benton (Siobhan), Andrew Long (Ed), Nancy Robinette (Mrs. Alexander), Enid Graham (Judy)
(Benjamin Wheelwright plays Christopher at certain performances)
Commentaire: Transfert de la pièce du National Theatre de Londres (plus)
Presse: Les critiques sont excellentes:
"Be prepared to have all your emotional and sensory buttons pushed, including a few you may have not known existed." Ben Brantley for New York Times
"Director Marianne Elliott...proves a master at orchestrating visceral and wildly energetic scenes as well as poignant hushed moments." Joe Dziemianowicz for New York Daily News
"What makes the production — which features a new American cast — truly memorable is how well it balances formal brilliance and emotion. This is the whole package, a rare case of family entertainment that speaks to the heart and brain." Elisabeth Vincentelli for New York Post
"The Curious Incident of the Dog in the Night-Time...is an often transfixing marvel of theatrical invention." Robert Feldberg for The Record
"It is one extremely cool event for the rising generation to experience as well as their elders." Michael Sommers for Newsroom Jersey
"Elliott and her design team have put together a remarkable production. Its virtuoso stagecraft can occasionally be distancing, even exhausting, and the play is not without its moments of manipulative sentimentality. But more than anything, The Curious Incident is a tremendously exciting demonstration of the power of theater. It makes us want to reconsider the world around us, without missing a single one of its infinite details." David Rooney for The Hollywood Reporter
"The National Theatre production of 'The Curious Incident of the Dog in the Night-Time' is spectacular, like Cirque du Soleil with brains." Marilyn Stasio for Variety
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Théâtre
Revival
13) Macbeth (Revival)
Joué durant 2 mois 3 semaines
Nb de preview: 12 previews
Nb de représentations: 73 représentations
Première preview: 07 April 2013
Première: 21 April 2013
Dernière: 14 July 2013
Compositeur:
Parolier:
Libettiste: William Shakespeare •
Metteur en scène: Andy Goldberg • John Tiffany •
Chorégraphe:
Avec: Alan Cumming (Macbeth and all other roles), Jenny Sterlin (Hospital Doctor) and Brendan Titley (Hospital Orderly)
Commentaire: The Shakespearean tragedy in the mind of a lone patient in a clinical room deep within a psych ward. Driven by ambition, Macbeth's struggle for the crown takes him from war hero to base murderer. As madness descends his fated journey unravels with bloody consequences.
The action is set in a clinical room deep within a dark psychiatric hospital. Cumming is the lone patient, reliving the infamous story and inhabiting each role himself. Closed circuit television cameras watch the patient's every move as the walls of the psychiatric ward come to life in a visually stunning multi-media theatrical experience of Shakespeare's notorious tale of desire, ambition and the supernatural. As the play opens, the harsh lighting snaps on to reveal a man looking dazed and disoriented as two nurses remove his disheveled clothing and help him into hospital garb. His clothes are sealed into brown paper bags with the ominous word “evidence” stamped upon them. His demeanor is meek and subservient, but bloody slash marks on his pale flesh suggest that this fellow has perpetrated (or been the victim of) some bloody deeds that have left his mind shattered and prey to tormenting fantasies. “When shall we three meet again?” he asks in a tone of frightened urgency as his stoic caretakers depart. This, the first line of the play’s text, spoken by one of the witches, unleashes the dark fury of Shakespeare’s tragedy, as one by one the characters take possession of this disturbed fellow, who flits manically around the green-tiled room as he snaps from one persona to the next, suggesting a swarm of bats let loose in a confined space… (plus)
Presse: "Cumming’s Macbeth never acquires the weighty, antiheroic stature that he should." Charles Isherwood for New York Times
"A case of diminishing returns. The concept becomes less interesting as it goes on." Joe Dziemianowicz for New York Daily News
"A star vehicle driving in circles." Elisabeth Vincentelli for New York Post
"Acting students and fans of daring, scary theater are urged to get a ticket before they are all snatched up." Erik Haagensen for Back Stage
"Edges close to being a stunt — a highly artistic one, but still a stunt." Robert Feldberg for The Record
"Other than providing a tour-de-force challenge for an actor, however, the point of this production escapes me. It sheds no fresh light on the drama." Michael Sommers for Newsroom Jersey
"This radical staging - skewed as it is - offers fresh stimulation." David Rooney for The Hollywood Reporter
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Musical
Original
12) Chaplin (Original)
Joué durant 3 mois 4 semaines
Nb de preview: 24 previews
Nb de représentations: 135 représentations
Première preview: 21 August 2012
Première: 10 September 2012
Dernière: 06 January 2013
Compositeur: Christopher Curtis •
Parolier: Christopher Curtis •
Libettiste: Christopher Curtis • Thomas Meehan •
Metteur en scène: Warren Carlyle •
Chorégraphe: Warren Carlyle •
Avec: Rob McClure (Charlie Chaplin), Jim Borstelmann (Alf Reeves), Jenn Colella (Hedda Hopper), Erin Mackey (Oona O'Neill), Michael McCormick (Sennett), Michael McCormick (McGranery), Michael McCormick (Emcee), Christiane Noll (Hannah Chaplin), Zachary Unger (Young Charlie), Zachary Unger (Jackie)
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Musical
Revival
11) Company (Revival)
Joué durant 7 mois
Nb de preview: 34 previews
Nb de représentations: 246 représentations
Première preview: 30 October 2006
Première: 29 November 2006
Dernière: 01 July 2007
Compositeur: Stephen Sondheim •
Parolier: Stephen Sondheim •
Libettiste: George Furth •
Metteur en scène: John Doyle •
Chorégraphe: Adam John Hunter •
Avec: Robert … Raúl Esparza
Joanne … Barbara Walsh
Sarah … Kristin Huffman
Harry … Keith Buterbaugh
Susan … Amy Justman
Peter … Matt Castle
Jenny … Leenya Rideout
David … Fred Rose
Amy … Heather Laws
Paul … Robert Cunningham
Larry … Bruce Sabath
Marta … Angel Desai
Kathy … Kelly Jeanne Grant
April … Elizabeth Stanley
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Musical
Original
10) Ring of Fire (Original)
Joué durant 1 mois 2 semaines
Nb de preview: 38 previews
Nb de représentations: 57 représentations
Première preview: 08 February 2006
Première: 12 March 2006
Dernière: 30 April 2006
Compositeur: Johnny Cash •
Parolier:
Libettiste:
Metteur en scène: Richard Jr Maltby •
Chorégraphe: Lisa Shriver •
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Théâtre
Broadway Transfer
9) Real Thing (The) (Broadway Transfer)
Joué durant 3 mois 4 semaines
Nb de preview: 24 previews
Nb de représentations: 136 représentations
Première preview: 29 March 2000
Première: 17 April 2000
Dernière: 13 August 2000
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: David Leveaux •
Chorégraphe:
Avec: Stephen Dillane (Henry), Jennifer Ehle (Annie), Joshua Henderson (Brodie), Nigel Lindsay (Max), Charlotte Parry (Debbie), Oscar Pearce (Billy), Sarah Woodward (Charlotte)
Commentaire: Broadway transfert du Donmar (mai à août 1999) à l'Albery Theatre (London) janvier - mars 2000 puis au Barrymore Theatre (New York) de mars - août 2000
> 1999 Evening Standard Award: Best Actor (Stephen Dillane)
> 2000 Laurence Olivier Award: Best Lighting Designer (Mark Henderson)
> 2000 Laurence Olivier Award nomination: Best Actress (Jennifer Ehle)
> 2000 Laurence Olivier Award nomination: Best Actor (Stephen Dillane)
> 2000 Laurence Olivier Award nomination: Best Director (David Leveaux)
> 2000 Tony Award: Best Actor (Stephen Dillane)
> 2000 Tony Award: Best Actress (Jennifer Ehle)
> 2000 Tony Award: Best Play Revival (The Real Thing)
> 2000 Tony Award nomination: Best Actress - Featured Rôle (Sara Woodward)
> 2000 Tony Award nomination: Best Director (David Leveaux)
> 2 Drama Desk Awards
> Drama League Award (plus)
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Musical
Original
8) Ain't Supposed To Die A Natural Death (Original)
Joué durant
Première preview: 08 October 1971
Première: 20 October 1971
Dernière: 13 November 1971
Fait partie de: Original Broadway Run
Compositeur: Melvin Van Peebles •
Parolier: Melvin Van Peebles •
Libettiste: Melvin Van Peebles •
Metteur en scène:
Chorégraphe:
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Parolier: Melvin Van Peebles •
Libettiste: Melvin Van Peebles •
Metteur en scène:
Chorégraphe:
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Musical
Original
7) Best Foot Forward (Original)
Joué durant 9 mois
Nb de représentations: 326 représentations
Première preview: 01 October 1941
Première: 01 October 1941
Dernière: 04 July 1942
Compositeur: Hugh Martin • Ralph Blane •
Parolier: Hugh Martin • Ralph Blane •
Libettiste: John Cecil Holm •
Metteur en scène: George Abbott •
Chorégraphe:
Avec: Jack Jordan Jr. (Dutch Miller), Gil Johnson (Fred Jones), Richard Dick (Freshman), Danny Daniels (Junior), Kenneth (Kenny) Bowers (Hunk Hoyt), Bobby Harrell (Satchel Moyer), Lee Roberts (Goofy Clark), Tommy Dix (Chuck Green), Fleming Ward (Dr. Reeber), Stuart Langley (Old Grad), June Allyson (Minerva), Victoria Schools (Ethel), Betty Anne Nyman (Miss Ferguson), Nancy Walker (Blind Date), Gil Stratton Jr. (Bud Hooper), Roger Hewlett (Professor Lloyd), Norma Lehn (Waitress), Marty May (Jack Haggerty), Rosemary Lane (Gale Joy), Vincent York (Chester Billings), Maureen Cannon (Helen Schlessinger), Robert Griffith (Professor Williams); Dancing Girls: Frances Bryan, Marianne Cude, Dorothy Eden, Bee Farnum, Mary Ganly, Anne Guier, Kay Guier, Rhoda Hoffman, Terry Kelly, Kaye Popp, Rosemary Schaefer, Rose Marie Schiller, Lenore Thomas, Doris York; Singing Girls: Eileen Barton, Peggy Ellis, Peggy Anne Ellis, Barbara Grant, Carol Horton, Beverly Hosier, Betty McCloskey, Elaine Miller, Penny Porter, Renee Rochelle, Marilyn Ross, Audrey Sperling; Dancing Boys: Buddy Allen, Wilbur Baron, William Baron, Gil Johnson, Kenneth Buffett, Danny Daniels, Richard Dick, Stanley Donen, Perry Jubelirer, Billy Parsons, George Staisey, Buddy Styles, Elmer Vernon, Art Williams; Singing Boys: Van Atkins, John Balian, Harvey Gould, Eugene Martin
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Musical
Original Broadway
6) Pal Joey (Original Broadway)
Joué durant 11 mois 1 semaine
Nb de représentations: 374 représentations
Première preview: 25 December 1940
Première: 25 December 1940
Dernière: 29 November 1941
Compositeur: Richard Rodgers •
Parolier: Lorenz M. Hart •
Libettiste: John O'Hara •
Metteur en scène: George Abbott •
Chorégraphe: Robert Alton •
Avec: Gene Kelly (Joey Evans), Robert J. Mulligan (Mike Spears), Sondra Barrett (The Kid), June Havoc (Gladys), Diane Sinclair (Agnes), Leila Ernst (Linda English), Amarilla Morris (Valerie), Stanley Donan (Albert Doane), Vivienne Segal (Vera Simpson), Edison Rice (Escort), Jane Fraser (Terry), Van Johnson (Victor), John Clarke (Ernest), Jerry Whyte (Stagehand), Averell Harris (Max), Nelson Rae (The Tenor), Jean Casto (Melba Synder), Dummy Spevlin (Waiter), Jack Durant (Ludlow Lowell), James Lane (Commissioner O’Brien), Cliff Dunstan (Assistant Hotel Manager); Specialty Dancer: Shirley Page; Dancing Girls: Claire Anderson, Sondra Barrett, Alice Craig, Louise De Forrest, Enez Early, Tilda Getze, Charlene Harkins, Frances Krell, Janet Lavis, June Leroy, Amarilla Morris, Olive Nicolson, Mildred Patterson, Dorothy Poplar, Diane Sinclair, Mildred Solly, Jeanne C. Trybom, Marie Vanneman; Dancing Boys: Adrian Anthony, John Benton, Milton Chisholm, Stanley Donen, Henning Irgens, Van Johnson, Howard Ledig, Michael Moore, Albert Ruiz
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Musical
Original
5) Walk with Music (Original)
Joué durant 1 mois 2 semaines
Nb de représentations: 55 représentations
Première preview: 04 June 1940
Première: 04 June 1940
Dernière: 20 July 1940
Compositeur: Hoagy Carmichael •
Parolier: Johnny Mercer •
Libettiste: Alan Prescott • Guy Bolton • Parke Levy •
Metteur en scène:
Chorégraphe:
Avec: Larry Baker (Dancing Boy), Billie Bernice (Dancing Girl), Kenneth Bostock (Dance Satirist), Ralph Brewster (Modernaire), Troy BrownDonald Burr (Wing D'Hautville), Kitty Carlisle (Pamela Gibson), William Castle (Stuart Hobson), Nancy Chaplin (Dancing Girl), Ray Clarke (Dancing Boy), Muriel Cole (Dancing Girl), Connie Constant (Glamour Girl), Bill Conway (Modernaire), Sylvia di Salvo (Dancing Girl), Harold Dickinson (Modernaire), Alice Dudley (Dance Satirist), Nona Feid (Dancing Girl), Stepin Fetchit (Chesterfield), Frank Gagen (Dancing Boy), Althea Gary (Glamour Girl), Ted Gary (Bellboy), Christie Gillespie (Dancing Girl), Chuck Goldstein (Modernaire), Mitzi Green (Rhoda Gibson), Linda Griffith (Glamour Girl), Arthur Jarrett (Steve Harrington), Georgia Jarvis (Dancing Girl), Terry Kelly (Dancing Girl), Philip King (Dancing Boy), Betty Lawford (Carrie Gibson), Betty Lynn (Glamour Girl), Ruth Maitland (Dancing Girl), Jane Manners (Glamour Girl), Maxine Martin (Glamour Girl), Marty May (Conrad Harrington), Ruth Morehouse (Dancing Girl), Barrie O'Daniels (House Detective), Zoli Parks (Dancing Boy), Eleanor Parr (Dancing Girl), Bob Pitts (Dancing Boy), Jack Richards (Dancing Boy), Renee Russell (Glamour Girl), Sid Salzer (Dancing Boy), Lee Sullivan (Henry Trowbridge), Lorraine Todd (Dancing Girl), Jean Trybon (Dancing Girl), Rose Tyrrell (Dancing Girl), Jack Whiting (Wing D'Hautville), Frances Williams (Polly Van Ziie), Mona Gray (Allan K. Foster Girl), Gene Greenlaw (Sweeney), Grace Elizabeth Hanneford (Circus Specialty), Poodles Hanneford ("Poodles"), Betty Harris (Allan K. Foster Girl), Helen Harvey (Circus Specialty), Maurine Holmes (Show Girl), Mildred Hughes (Show Girl), Mary Jackson (Circus Specialty), Harry Jackson, Jr. (Circus Specialty), Harry Jackson, Sr. (Circus Specialty), Julius Johnson (Razorback), Robert Johnson (Razorback), Billie Joyce (Dancer), A. P. Kaye (Mr. Jellico), Dorothy Keller (Allan K. Foster Girl), Tiny Kline (Circus Specialty), Patricia Knight (Dancer), Karl Kosicsky (Circus Specialty), John Kuebler (Reilly), Arthur La Fleur (Circus Specialty), Henry LaMarr (Flanagan), Sonny Lang (Circus Specialty), Ed LaNole (Circus Specialty), Helen LaNole (Circus Specialty), Minnie LaPell (Circus Specialty), Bob Lawrence (Mr. Ball), Edna Lee (Circus Specialty), Jack Leslie (Razorback), Walter Lewis (Razorback), Tom Lomas (First Artist), Charlotte Lorraine (Dancer), Gladys Lorraine (Allan K. Foster Girl), Jim Mandy (Circus Specialty), Carlotta Mann (Show Girl), Lela Manor (Dancer), Lila Manor (Dancer), Jim Mardy (Circus Specialty), Josephine Martin (Allan K. Foster Girl), Rudolph Mattson (Razorback), William J. McCarthy (Matthew Mulligan), Kathryn McDonald (Allan K. Foster Girl), Frances McMasters (Circus Specialty), Gayle Mellott (Show Girl), Menagerie from John T. Benson's Wild Animal Farm (Circus Specialty), Ray Miller (First Razorback), Victoria Miller (Circus Specialty), Virginia Moore (Allan K. Foster Girl), Donald Novis (Matt Mulligan, Jr.), Olivette (Circus Specialty), William Parker (Razorback), J. H. Pendergast (Razorback), Jack Phillips (Razorback), Claude Ratliff (Circus Specialty), Bob Reano (Circus Specialty), A. Robins (Circus Specialty), William Selig (Circus Specialty), Lillian Sherry (Allan K. Foster Girl), Arthur Sherwood (Circus Specialty), Arthur Sinclair (John A. Considine), Fred Spear (Second Artist), Gwen Stader (Allan K. Foster Girl), Stanley's Bears (Circus Specialty), Edwina Steele (Dancer), Julie Sterling (Show Girl), Barbara Stuart (Allan K. Foster Girl), Ethel Summerville (Show Girl), Takayama (Circus Specialty), The Kimris (Circus Specialty), The Nagyfys (Circus Specialty), The Nazfys (Circus Specialty), The Stonleys (Circus Specialty), Carol Tolle (Razorback), Lomas Troupe (Circus Specialty), Tyana (Circus Specialty), Howard Urbach (Razorback), Frances Van Ritter (Circus Specialty), Litri Wagner (Circus Specialty), Herbert Waldman (Razorback), Dorothy Warren (Allan K. Foster Girl), George Watts (United States Marshal), Merrit Wells (Razorback), Solon West (Razorback), Cliff Whitcombe (Razorback), Arnold Wilson (Razorback), Effie Winter (Allan K. Foster Girl), Mae Winter (Allan K. Foster Girl), Philip Wood (Mr. Piper), Victor Young (Razorback)
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Théâtre
Original
4) No Time for Comedy (Original)
Joué durant 1 semaine
Nb de représentations: 185 représentations
Première preview: Inconnu
Première: 17 September 1939
Dernière: 30 September 1939
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Guthrie McClintic •
Chorégraphe:
Avec: Katharine Cornell (Linda Easterbrook), Margalo Gillmore (Amanda Smith), Laurence Olivier (Gaylord Easterbrook)
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Original
3) Knickerbocker Holiday (Original)
Joué durant 4 mois 3 semaines
Nb de représentations: 168 représentations
Première preview: 19 October 1938
Première: 19 October 1938
Dernière: 11 March 1939
Compositeur: Kurt Weill •
Parolier: Maxwell Anderson •
Libettiste: Maxwell Anderson •
Metteur en scène: Joshua Logan •
Chorégraphe:
Avec: Ray Middleton (Washington Irving), Harry Meehan (Anthony Corlear), Mark Smith (Tienhoven), George Watts (Vanderbilt), Francis Pierlot (Roosevelt), Charles Arnt (DePeyster), John E. Young (DeVries), James Phillips (Van Rensselaer), Richard Cowdery (Van Cortlandt Jr.), Jeanne Madden (Tina Tienhoven), Richard Kollmar (Brom Broeck), Clarence Nordstrom (Tenpin), Howard Freeman (Schermerhorn), Walter Huston (Pieter Stuyvesant), Donald Black (General Poffenburgh), Edith Angold (Mistress Schermerhorn); Citizens of New Amsterdam: Helen Carroll, Jane Brotherson, Carol Deis, Robert Arnold, Bruce Hamilton, Ruth Mamel, William Marel, Margaret MacLaren, Robert Rounseville, Rufus Smith, Margaret Stewart, Erika Zaranova, William Wahlert; Soldiers: Albert Allen, Matthias Ammann, Dow Fonda, Warde Peters; Fighters: The Algonquins (unnamed performers)
Commentaire: Ethel Barrymore Theatre (Oct 19, 1938 - Feb 1939)
46th Street Theatre (Feb 13, 1939 - Mar 11, 1939) (plus)
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Théâtre
Original
2) Design for Living (Original)
Joué durant 3 mois
Nb de représentations: 135 représentations
Première preview: Inconnu
Première: 24 January 1933
Dernière: 01 May 1933
Compositeur:
Parolier:
Libettiste: Noël Coward •
Metteur en scène: Noël Coward •
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